THE MEANING OF BATIK MOTIFS IN THE TANDO PUSAKO BATIK HOUSE IN MUKOMUKO REGENCY
DOI:
https://doi.org/10.24114/gr.v13i2.61487Keywords:
craft, batik, meaning, motifs.Abstract
The Tando Pusako Batik House in Mukomuko Regency, Bengkulu Province, faces the challenge of public understanding of the motifs and meanings of batik that are still not conveyed. This research aims to describe the meaning of Tando Pusako batik motifs through qualitative methods by collecting data from observations, interviews, and documentation. Data analysis follows the Miles and Huberman model, including collection, reduction, data presentation, and conclusion drawn. The results of this study prove that there are several meanings of batik motifs, including: 1) The Cerano motif in Tando Pusako batik means respect. 2) The mikih fish motif in Tando Pusako batik has a meaning, which reflects gratitude. 3) The Lokan motif in Tando Pusako batik has the meaning of advice to humans that in social life we help each other. 4) The oil palm tree motif in Tando Pusako batik has the meaning of prosperity and abundance of property. 5) The Rafflesia flower motif in Tando Pusako batik has the meaning of earth fertility. 6) The Mangrove Plant motif in Tando Pusako batik has the meaning of perseverance in facing challenges and changes in life. 7) The Basurek motif (Arabic Calligraphy) in Tando Pusako batik has a religious meaning. For further research, research can be carried out on how to transform the source of the idea of Tando Pusako batik motifs which has meaning for Mukomuko district.References
Anton, M.Moeliono, DKK. 2012. Kamus Besar Baha Indonesia. Jakarta: Balai Pustaka.
Budiono, Herusatoto. 2000. Simbolisme Dalam Budaya Jawa. Yogyakarta: Hanindita Graha Widya.
———. 2005. Simbolisme Dalam Budaya Jawa. Yogyakarta: Hanindita Graha Widya.
Cahaya Mustika, Asri, Budi Santoso, and Magister Kenotariatan. 2018. “Perlindungan Hak Cipta Atas Motif Butik Buketan Sebagai Warisan Budaya Di Pekalongan (Studi Terhadap Karya Seni Batik Tradisional Pekalongan).” Notarius. Vol. 11.
Hasriawati, L., Adriani, A., & Novrita, S. Z. 2021. “Studi Tentang Sunting Bungo Sanggul Di Kenagarian Koto Baru Kecamatan Kubung Kabupaten Solok.” Journal of Home Economics and Tourism.
Irianto, Agus, Agusti Efi, Friyatmi Friyatmi, and Jean Elikal Marna. 2022. “Pemberdayaan Pengrajin Batik Untuk Optimalisasi Produk Unggulan Batik Minang Berbasis Kearifan Lokal.” Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat 22 (2): 261. https://doi.org/10.24036/sb.02430.
J, Achjadi. 2015. Ensiklopedia Motif Batik. Jakarta: Gramedia Pustaka Utama.
Khasanah, Farah Lailia, Setiawan Setiawan Setiawan, and Tiwi Bina Affanty. 2020. “Kajian Motif Batik Mangrove Kutawaru.” Ornamen 16 (1): 51–60. https://doi.org/10.33153/ornamen.v16i1.2918.
Meliza, Yola. n.d. “Studi Kaus Bating Kajang Padati Pada Emi Arlin Fashion Designer Di Kota Padang ( Studi Kasus Motif Dan Makna Motif Batik ) Case Study Of Kajang Padati Batik Motifs At Emi Arlin Fashion Designer In Padang City ( Case Study of Batik Motifs and Meanings )” 00.
Mifzal, Abiyyu. 2012. Mengenal Ragam Batik. Yogyakarta: Javalitera.
Mulyani1, Indah, Yeni Wijayanti2, and Egi Nurholis3. 2021. “Nilai-Nilai Filosofi Batik Banjar Jawa Barat.” Jurnal Keguruan Dan Ilmu Pendidikan). Vol. 2. https://banjarkota.go.id/.
Norma Kuwala, Resfi, and Sri Zulfia Novrita. 2022. “ Ragam Hias Motif Batik Tanah Liek Dharmasraya (Studi Kasus Di Kerajinan Batik Tanah Liek Citra).” Gorga : Jurnal Seni Rupa 11 (1): 08. https://doi.org/10.24114/gr.v11i1.32358.
Novrita, Sri Zulfia, and Mailani Pratiwi. 2022. “Makna Motif Batik Di Kabupaten Solok Selatan Studi Kasus Pada Sanggar Azyanu Batik 1000 Rumah Gadang.” Gorga : Jurnal Seni Rupa 11 (2): 628. https://doi.org/10.24114/gr.v11i2.39652.
Oktora, Nana, and Adriani Adriani. 2019. “Studi Batik Tanah Like Kota Padang (Studi Kasus Di Usaha Citra Monalisa).” Gorga : Jurnal Seni Rupa 8 (1): 129. https://doi.org/10.24114/gr.v8i1.12879.
Parmono, Kartini. 2013. “Nilai Kearifan Lokal Dalam Batik Tradisional Kawung.” Jurnal Filsafat 23 (2): 135–46. https://jurnal.ugm.ac.id/wisdom/article/download/13217/9459%0A%0A.
Purnamawati, Sischa, Adriani, and Sri Zulfia Novrita. 2016. “Studi Tentang Batik Basurek Di Kota Bengkulu Provinsi Bengkulu.” Journal of Home Economics and Tourism 11 (1): 1–12.
Saputra Andi, Erwin, Yofita. 2014. “Bentuk, Fungsi Dan Makna Batik Motif Batik Basurek Bengkulu.” Serupa.
Sulistyobudi, Noor. 2017. “Batik Gringsing Dan Ceplok Kembang Kates Bantul.” Dinamika Kerajinan Dan Batik: Majalah Ilmiah 34 (2): 93. https://doi.org/10.22322/dkb.v34i2.2861.
Wulandari, Ari. 2011. Batik Nusantara Makna Filosofis, Cara Pembuatan Dan Industri Batik. Edited by Andi Offside. Yogyakarta.
Yulia, Nopri, and Weni Nelmira. 2019. “Desain Motif Batik Tebo Di Kecamatan Tebo Tengah Kabupaten Tebo Provinsi Jambi.” Gorga : Jurnal Seni Rupa 8 (1): 92. https://doi.org/10.24114/gr.v8i1.12847.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Tiara Husnun Efrashia, Agusti Efi
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Copyright
Authors published in this journal agree to the following terms:
- The copyright of each article is retained by the author (s).
- The author grants the journal the first publication rights with the work simultaneously licensed under the Creative Commons Attribution License, allowing others to share the work with an acknowledgment of authorship and the initial publication in this journal.
- Authors may enter into separate additional contractual agreements for the non-exclusive distribution of published journal versions of the work (for example, posting them to institutional repositories or publishing them in a book), with acknowledgment of their initial publication in this journal.
- Authors are permitted and encouraged to post their work online (For example in the Institutional Repository or on their website) before and during the submission process, as this can lead to productive exchanges, as well as earlier and larger citations of published work.
- Articles and all related material published are distributed under a Creative Commons Attribution-ShareAlike 4.0 International License.
License
Gorga : Jurnal Seni Rupa is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
