AESTHETIC MORPHOLOGICAL STUDY OF ZERO WASTE PATTERN IN MEN'S SHIRT DESIGN
DOI:
https://doi.org/10.24114/gr.v13i2.57483Keywords:
Zero Waste Pattern, Men's Shirt , Aesthetic MorphologyAbstract
Aesthetic morphology studies can be carried out on men's shirt fashion design using the Zero Waste Pattern technique as one of the more varied men's shirt model design ideas. The study of Aesthetic Morphology by Thomas Munro is a study through the description, comparison, and analysis of the structure of the shape of an art object scientifically and systematically on the elements of art, design principles, and expressions resulting from the elements that form an art object. The purpose of this study is to examine the Aesthetic Morphology of men's shirt design using the Zero Waste Pattern technique, so as to find a shirt design whose product can be visualized and in accordance with aesthetic principles. The method used in this study is qualitative descriptive, the purpose is to understand the study of Aesthetic Morphology with research practices that emphasize exploratory aesthetics to describe the visual form, style, and visual expression of men's shirt design using the Zero Waste Pattern technique. The results of creative exploration resulted in 2 men's shirt designs, one of which is a Fit To Body design with a Casual Style with fabric waste of 2.1% and a Regular Fit Men's Shirt design with a Retro Style with fabric waste of 1.7%. The results of the study found that the 5 main criteria for designing using the Zero Waste Pattern technique, namely Aesthetics, Comfort, Cost, Sustainability, and Manufacturability, are known to consider psychological and sociology factors of art. A study using description, comparison, and analysis on the Zero Waste Pattern technique can find a men's shirt design line that is more varied, practical, supports sustainable trends, and is in accordance with aesthetic principles.References
Aldrich, W. (2015). Terampil Merancang Pola Busana Pria Dengan Sistem Metrik (N. Oktorino & E. Y. A. Fangohoy, Eds.; Terjemahan Cetakan 1, Vols. 978-602-7688-59–9). Libri.
Asthu, A. A., Dewandini, A. S., Wirastuti, A. R., Pradjwalita K, C. F. P., Aqmarina, L., Husna, Rifasya, M. F., Rosyidi, M. I., Bachtiar, N., Utami, R. D., Damayanti, S. N., Swesti, W., & Usman, Y. F. (2023). Outlook Parawisata dan Ekonomi Kreatif 2023/2024. In Kementerian Pariwisata dan Ekonomi Kreatif/ Badan Pariwisata dan Ekonomi Kreatif Republik Indonesia.
Dieffenbacher, F. (2021). Fashion Thinking Creative Approaches to the Design Process - Second Edition (Second Edition, Vols. 978-1-3500-8275–5). Bloomsbury.
Fadillah, R. R., & Adriani. (2019). Kesesuaian Pola Kemeja Pria Sistem Aldrich Terhadap Pria Bertubuh Ideal Indonesia. Gorga Jurnal Seni Rupa, 08(01), 36–42.
Garlufi, R., & Nursari, F. (2018). Potensi Penerapan Teknik Zero Waste Pattern Cutting Pada Desain Kebaya. ATRAT, 6, 227–234.
Gwilt, A. (2020). A Practical Guide to Sustainable Fashion-Second Editon: Vol. PB 978-1-3500-6704-2 (Second edition 2020). BLOOMSBURY VISUAL ARTS.
Hidayah, N., & Yasnidawati. (2019). Penyesuaian Pola Dasar Busana Sistem Indonesia Untuk Wanita Indonesia Dengan Bentuk Badan Gemuk. Gorga Jurnal Seni Rupa, 08(01), 222–230.
Munro, T. (1970). Form And Style in the Arts : An Introduction to Aesthetic Morphology (Vol. 9780829501728). Press of Case Western Reserve University.
Nadir, N., Nursari, F., & Siagian, M. C. A. (2022). Penerapan Metode Zero Waste Fashion Design Pada Tenun Sengkang Untuk Busana Demi-Couture. Serat Rupa Journal of Design, 6(1), 24–39. https://doi.org/10.28932/srjd.v6i1.3894
Ningsih, Y. S., & Budianto, E. R. (2023). Kajian Morfologi Estetik Busana Urban Dengan Ciri Visual Khas Tenun Sumba. Arena Tekstil, 38(2), 81–92.
Puspawati, G. A. F. (2024). Eksplorasi Kemeja Pria Fit Body menggunakan Teknik Zero Waste Pattern.
Rissanen, T., & Mcquillan, H. (2016). Zero Waste Fashion Design: Vol. PB 978-1-4725-8198-3 (1st ed.). BLOOMSBURY.
Simamora M, R. (2024). Eksplorasi Zero Waste Pattern Geometris pada Desain Kemeja Pria.
Suwandi, A., & Nelmira, W. (2023). Bentuk Dan Makna Busana Penghulu Di Nagari Panyalaian Kecamatan X Koto Kabupaten Tanah Datar. Gorga: Jurnal Seni Rupa, 12(02), 549–557.
Yuningsih, S., Haldani D, A., & Tresnadi, C. (2020). Kajian Komponen Struktural Dan Fungsional Pada Kemeja Bermotif Batik Kontemporer Dalam Elemen Estetik Busana. Gelar: Jurnal Seni Budaya, 18(1), 35–44.
Zam, R., Dharsono, & Raharjo, T. (2022). Transformasi Estetik Seni Kriya; Kelahiran Dan Kriya Masa Kini. Gorga : Jurnal Seni Rupa, 11(02), 302–310.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Regina Simamora M, Faradillah Nursari, Tiara Larissa, Sari Yuningsih
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Copyright
Authors published in this journal agree to the following terms:
- The copyright of each article is retained by the author (s).
- The author grants the journal the first publication rights with the work simultaneously licensed under the Creative Commons Attribution License, allowing others to share the work with an acknowledgment of authorship and the initial publication in this journal.
- Authors may enter into separate additional contractual agreements for the non-exclusive distribution of published journal versions of the work (for example, posting them to institutional repositories or publishing them in a book), with acknowledgment of their initial publication in this journal.
- Authors are permitted and encouraged to post their work online (For example in the Institutional Repository or on their website) before and during the submission process, as this can lead to productive exchanges, as well as earlier and larger citations of published work.
- Articles and all related material published are distributed under a Creative Commons Attribution-ShareAlike 4.0 International License.
License
Gorga : Jurnal Seni Rupa is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
