GLITCH ART SEBAGAI REFLEKSI MEMORI MANUSIA YANG RAPUH: SEBUAH PENCIPTAAN KARYA SENI

Authors

DOI:

https://doi.org/10.24114/gr.v13i01.52291

Keywords:

digital art, glitch art, memory, data bending, contemporary art

Abstract

AbstractIn the era that has entered the digital revolution, academic publication articles on the creation of digital-based fine art are still not widely found compared to the creation of conventional fine art. One area of the digital art creation that has a limited number of academic publication articles is the creation of glitch art. In this article, the creation of glitch art is presented along with the explanation of the definition of glitch art, the methods of creation, the technical embodiment, and the concrete artworks. The creation method follows the nine stages of creation: preparation, concentration, incubation, ideation, insight, verification, planning, production, and validation. Glitch art as the visual idea is used as an object to express the creative idea about the fragility of human memory. The technique used in the artwork creation is data bending. By utilizing the digital visual data as the metaphor for memory, the distortion process is carried out to create artistic expressions in the artworks. The application used in the distortion process is Audacity, an open-source digital audio editor application software. The purpose of this article is to enrich the variety of academic publication articles on the topic of fine art creation which are still dominated by the conventional fine art creation articles.Keywords: digital art, glitch art, memory, data bending, contemporary art.AbstrakDi era revolusi digital, paparan dalam ranah publikasi ilmiah mengenai penciptaan seni rupa berbasis digital masih belum banyak ditemukan dibandingkan dengan penciptaan seni rupa konvensional. Salah satu cabang dari penciptaan seni rupa digital yang paparan publikasi ilmiahnya masih terbatas adalah tentang penciptaan karya glitch art. Dalam artikel ini, penciptaan karya glitch art dipaparkan dengan penjelasan perihal definisi glitch art, metode penciptaan, teknis perwujudan, dan wujud konkret karya. Metode penciptaan karya mengikuti sembilan tahapan penciptaan, yaitu preparation, concentration, incubation, ideation, insight, verification, planning, production, dan validation. Glitch art sebagai gagasan visual dijadikan wadah untuk mengekspresikan gagasan kreatif kerapuhan memori manusia. Teknik yang digunakan dalam penciptaan karya adalah data bending. Dengan memanfaatkan data visual digital sebagai metafora dari memori, proses distorsi dilakukan guna menciptakan ungkapan-ungkapan yang artistik dalam karya. Aplikasi yang digunakan dalam proses distorsi adalah Audacity, sebuah aplikasi edit audio digital berbasis open-source. Artikel penciptaan ini bertujuan untuk memperkaya ragam artikel penciptaan pada publikasi ilmiah yang selama ini masih didominasi oleh artikel penciptaan seni rupa konvensional.Kata Kunci: seni digital, glitch art, memori, data bending, seni kontemporer Author:Hadiyan Yusuf Kuntoro : Institut Seni Indonesia Yogyakarta ReferencesAbdullah, A. M. (2021). Paradoks Bunuh Diri sebagai Ide dalam Penciptaan Karya Seni Grafis. Journal of Contemporary Indonesian Art, 7(1). 50-56. https://doi.org/10.24821/jocia.v7i1.5276Adam, S. (2018). Seni Lukis sebagai Refleksi Ketidakberdayaan dan Keterpinggiran Cokek. Mudra Jurnal Seni Budaya, 33(1), 1-8. https://doi.org/10.31091/mudra.v33i1.323Adityatama, R. (2020). Apresiasi pada Film Menumbuhkan Rasa Empati sebagai Ide Penciptaan Karya Seni Grafis. Journal of Contemporary Indonesian Art, 6(2), 121-129. https://doi.org/10.24821/jocia.v6i2.5113Asa, F. O., Ahdi, S., & Elpatsa, A. (2021). Fenomena Korupsi: Tikus sebagai Inspirasi Lukis. 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Author Biography

Hadiyan Yusuf Kuntoro, Department of Fine Art, Faculty of Visual Arts, Institut Seni Indonesia Yogyakarta

Department of Fine Art, Faculty of Visual Arts, Institut Seni Indonesia Yogyakarta

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Published

2024-06-22

How to Cite

Kuntoro, H. Y. (2024). GLITCH ART SEBAGAI REFLEKSI MEMORI MANUSIA YANG RAPUH: SEBUAH PENCIPTAAN KARYA SENI. Gorga : Jurnal Seni Rupa, 13(1), 223–230. https://doi.org/10.24114/gr.v13i01.52291

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Gorga : Jurnal Seni Rupa

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