TRADITIONAL BATAK MUSIC IN THE CONTEXT OF WORSHIP: CASE STUDY OF MANAGEMENT AND THE ROLE OF MUSICIANS

Authors

  • Victor Martin Tama Lucky Situmorang Master of Arts Creation and Study, faculty Of Cultural Studies, Universitas Sumatera Utara, Medan, Indonesia
  • Mauly Purba Master of Arts Creation and Study, faculty Of Cultural Studies, Universitas Sumatera Utara, Medan, Indonesia.
  • Pulumun B Ginting Master of Arts Creation and Study, faculty Of Cultural Studies, Universitas Sumatera Utara, Medan, Indonesia.

DOI:

https://doi.org/10.24114/jupiis.v16i1.56071

Keywords:

Batak music, worship, protestant

Abstract

When hearing traditional music presented as accompaniment to worship, the author has a desire to know how much church management has put into preparing the presentation of music to accompany worship, as well as the role of musicians in delivering the worship musically. The aims of this research are to find out 1) how the presentation of Batak cultural worship is managed using traditional music, 2) to find out the role of musicians as accompanists of worship. The type of research used in this research is qualitative research with a descriptive approach. This research was conducted at the HKBP Pardamean church. The selection of research samples was based on the researcher's initial observations, where the researcher saw the phenomenon of presenting traditional music performances in the context of worship with various church management that were different from each other. Then the researchers also saw the phenomenon of the role of musicians who present worship music in services at the HKBP Pardamean Church. HKBP Pardamean holds a Cultural Service once a month as an effort to exist "Batak" in the context of presenting worship. At HKBP Pardamean, a presentation of worship is carried out by management. HKBP Pardamean holds a Cultural Service once a month as an effort to exist "Batak" in the context of presenting worship. Where nowadays it is almost eroded by the current of globalization. One of the symbols of culture that has begun to disappear from the Batak identity itself is traditional music.

Author Biographies

Victor Martin Tama Lucky Situmorang, Master of Arts Creation and Study, faculty Of Cultural Studies, Universitas Sumatera Utara, Medan, Indonesia

Student of Master of Arts Creation and Study, faculty Of Cultural Studies, Universitas Sumatera Utara, Medan, Indonesia.

Mauly Purba, Master of Arts Creation and Study, faculty Of Cultural Studies, Universitas Sumatera Utara, Medan, Indonesia.

Lecturer of Master of Arts Creation and Study, faculty Of Cultural Studies, Universitas Sumatera Utara, Medan, Indonesia.

Pulumun B Ginting, Master of Arts Creation and Study, faculty Of Cultural Studies, Universitas Sumatera Utara, Medan, Indonesia.

Lecturer of Master of Arts Creation and Study, faculty Of Cultural Studies, Universitas Sumatera Utara, Medan, Indonesia.

References

Adi.W. Gunawan.(2006).Genius Learning Strategi. Jakarta: Gramedia Pustaka. Utama.

Adorno, T. W. (1979). Culture Industry: Enlightment as Mass Deception. NewYork : Graeme

Adorno, Th, and Horkhieimer, M. (1979). Dialectif Of Enlightenment Translated. By. Cumming, J. New York : Herder & Herder. Burton, Graeme.

Allen, Ronald & Gordon Borror. (1982). Worship: Rediscovering the Missing Jewel. Portland, OR: Multnomah Press, Bachhiocchi.

Barton, Jhon. (2017). A History of The Bible. Oxford : Holy Scripture at the University of Oxford

Christina Mandang. (1998). Serba-serbi Mengiringi Nyanyian Jemaat. Surabaya: GKI Pondok Tjandra. Indah University Press.

Cook, Martin L. (1991). The Open Circle Confenssional Method In Theology. Minneapolis, Minn : Fortress Press XIV.

Gardner, Howard. (1973). Frames of Mind, Intelligence Reframed: Multiple Intelligences for The.21st Century. New York: Basic Books.

Kartomi, Margaret J. (1978). Studies In Indonesia Music. Monash University, Centre of Southeast Asian Studies

Mawene. (2007). Gereja Yang Bernyanyi, Menghidupkan Ibadah Dengan Lagu. Nias : Yayasan Andi.

Miles, M. B. & Huberman, M. (1992). Analisis Data Kualitatif. Jakarta: Penerbit. Universitas Indonesia.

Moleong, L. J. (2005). Metode Penelitian Kualitatif. Bandung: PT. Remaja Rosdakarya.

Soedarsono, R. M. (1998). Seni Pertunjukan Indonesia di Era Globalisasi. Jakarta : Depdikbud.

Susetyo, Bagus. (2007). Pengkajian Seni Pertunjukan Indonesia. Semarang: Sendratasik.

Takari, M. (2008). Mayarakat Kesenian di Indonesia. Medan: Studia Kultura

Taylor, S.J. and Bogdan, R. (1984). Introduction to Qualitative Research Method A Phenomenological Approach to the Social Sciences. New York : Wiley.

Thurnwald, R. (1932). The psychology of acculturation. Oxford : Humphrey Milford Oxford University Press

Wilson, John F. (1965). An Introduction To Curch Music. Chicago : Moody Press.

Downloads

Published

2024-06-29