Lake Toba Tradisional Musik Festival (LTTMF) dalam Ruang Kreatif Penciptaan Karya Komposisi Musik
Main Article Content
Abstract
Article Details

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors published with the Grenek: Jurnal Seni Musik agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. (See The Effect of Open Access)
References
Artadi, F. (2013). Studi Jejak Karbon dari Aktivitas di Kampus Fakultas Teknik Universitas Indonesia. Depok: UI Press.
Daud, A. B., Dahlan., & Sumardi, L. (2022). Makna dan Nilai-Nilai Yang Terkandung Dalam Pertunjukan Kesenian Alat Musik Tradisional Gendang Beleq. Grenek: Jurnal Seni Musik, 11(2), 40-58. doi: https://doi.org/10.24114/grenek.v11i2.38691
Djohan. (2010). Respons Emosi Musikal. Bandung : CV Lubuk Agung
Hardjana, S. (2003). Corat Coret Musik kontemporer Dulu dan Kini. Jakarta : Ford Foundation dan Masyrakat Seni Pertunjukkan Indonesia.
Karina, A. E., Rozak, A., & Sari, F. D. (2020). Alih Kreativitas Pelaku Seni Kabupaten Bireuen Sebagai Peluang Pendapatan Di Tengah Wabah Covid-19 (Studi Kasus: Nizar 41 Project Official). Grenek: Jurnal Seni Musik, 9(2), 108-120. doi: https://doi.org/10.24114/grenek.v9i2.20994
Linggasani, M. A. W., & Putra, I. B. G. P. (2017). Pembentukan Identitas Ruang Oleh Suatu Komunitas Kreatif di Ruang Publik (Area Car Free Day) Dago, Bandung. Undagi: Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa, 5(2), 27-32. doi: https://doi.org/10.22225/undagi.5.2.408.27-32
Liong, K., & Halim, M. (2020). Ruang Kreatif Dan Rekreasi Di Pasar Baru. Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa), 2(2), 1715-1728. doi: https://doi.org/10.24912/stupa.v2i2.8482
Merriam, A. P., (1964), The Anthropology of Music. Chicago: the University of Chicago Pers.
Moleong, L. J. (2018), Metodologi Penelitian Kualitatif, Bandung: PT. Remaja Rosdakarya.
Purnomo, T. W., & Aulia, S. M. (2021). Analisis Lagu Mudiak Arau Dalam Pertunjukan Talempong Pacik Ikua Parik Kanagarian Limbanang. Grenek: Jurnal Seni Musik, 10(1), 46-59. doi: https://doi.org/10.24114/grenek.v10i1.24891
Rouget, G., (1985), Music and Trance: A Theory of the Relations Between Music and Possession. Chicago: University of Chicago Press.
Siagian, L., & Esther. (2002). Gong. Sawahlunto : Lembaga Pendidikan Seni Nusantara.
Sinaga, O. (2022). Manajemen Pertunjukan Seni Tradisional Berbasis Keragaman Budaya dan Kearifan Lokal Sumatera Utara. Grenek: Jurnal Seni Musik, 11(1), 91-97. doi: https://doi.org/10.24114/grenek.v11i1.35117
Sunardi, N. S. K., & Pedalangan, K. P. S. (2016). Pertunjukan Wayang Babad Nusantara: Wahana Pengajaran Nilai Kebangsaan Bagi Generasi Muda. Panggung, 26(2), 195-20. doi: ttp://dx.doi.org/10.26742/panggung.v26i2.176
Turner, T. D. (2020). Music and Trance as Methods for engaging with Suffering. Ethos, 48(1), 74-92. doi: https://doi.org/10.1111/etho.12265
Waridi. (2005 ). Menimbang Pendekatan Pengkajian & Pengkajian Musik Nusantara. Surakarta : STSI Press.