MAKNA SIMBOLIK TARI KENCAR-KENCAR DI KABUPATEN KARANGANYAR
DOI:
https://doi.org/10.24114/gjst.v12i1.42711Keywords:
Meaning, Symbolic, Kencar-kencar Dance.Abstract
Kencar-kencar dance is a traditional creation dance from Karanganyar Regency. Kencar-kencar dance has meanings of life which are symbolized through movement, accompaniment, make-up, costume, and property. The purpose of this research is to find out and analyze the symbolic meaning of Kencar-kencar Dance in Karanganyar Regency. The method used in this research is a qualitative method with a semiotic approach. Research on the Symbolic Meaning of Kencar-kencar Dance in data collection techniques used through observation, interviews, and documentation. Data validation techniques use source triangulation, technical triangulation, and time triangulation. Data analysis using data reduction, data presentation and conclusion. The results of the study show that the meaning of the Kencar-kencar Dance is found in motion, accompaniment, make-up, costume, and property. Living in harmony with mutual respect, mutual love, mutual respect, namely tolerance for differences that exist between communities to create harmony and peace between the Karanganyar people. Kencar-kencar dance has the meaning of Karanganyar which is brightly lit at night. The symbolic meaning in the Kencar-kencar Dance gives the spirit of life to the people of Karanganyar RegencyReferences
Barthes, R. (1964). Elements of Semiology. Editions de Seuil.
Bogdan, B. (1982). Pengantar studi Penelitian. PT. Alfabeta.
Hadi, S. (2005). Sosiologi Tari. Yogyakarta: Penerbit Pustaka.
Harymawan, R. M. . (1993). Dramaturgi (T. Suryaman (ed.)). Remaja Rosdakarya.
Jazuli, M. (2016). Peta Dunia Seni Tari. CV. Farishma Indonesia.
Mareta, M. L. (2013). Kajian Koreografis Tari Kencar-kencar di Kabupaten Karanganyar Surakarta Surakarta Jawa Tengah
Maryono. (2015). Analisa Tari. ISI Press.
Murgianto, S. (1983). Koreografi Pengetahuan Dasar Komposisi Tari. BP DEpartemen Pendidikan dan Kebudayaan.
Ogden, R. (1923). The Meaning Of Meaning.
Rahim, M. (2009). Seni dalam Antropologi Seni. Jurnal Imaji Maranatha, 5 (1), 218288.
Sugiyono. (2008). Metode Penelitian Kuantitatif, Kualitatif, dan R & D. Alfabeta.
________ (2009). Metode Penelitian Kuantitatif, Kualitatif, dan R & D. Alfabeta.
_________(2015). Metode Penelitian Pendidikan: Pendekatan Kuantitatif, Kualitatif dan R & D. CV. Alfabeta.
Tjiptadi, B. (1984). Tata Bahasa Indonesia. Yudhistira.
Wijana, I. D. P. (2008). Semantik : Teori dan Analisis. Yuma Pustaka.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Anggita Febriana Putri, Lesa Paranti, Lesa Paranti

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors published with the Gesture: Jurnal Seni Tari agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. (See The Effect of Open Access)