Traces of the History of the Composer's Role: Development of Deli Malay Music
DOI:
https://doi.org/10.24114/gondang.v8i2.59478Keywords:
HISTORICAL TRACES, COMPOSER ROLE, DEVELOPMENT OF DELI MALAY MUSICAbstract
This article describes the role of composers in the development of Deli Malay music in the city of Medan and examines the development of Deli Malay music from a scientific perspective history. The purpose of this study is to analyze the historical traces of the role of composers in Deli Malay music and elaborate on the development of Deli Malay music in the city of Medan. The method used here is a historical method with a literature study for data collection. The results of the research on Malay music show a combination with Arabic music based on Islamic Sharia, as found in the instruments and musical arrangements adapted to Malay-style characteristics, the song lyrics contains poems about daily life, full of moral messages, and have an influence on the Malay community as well as on other ethnic groups, especially in Medan city. Malay music reached its peak in the 1970s, signified by the many Malay orchestras that grew and developed during that time. By the year 2000, Malay music had experienced technological advances in terms of musical instruments, making Malay music treasures more colorful, less rigid, and more varied, providing a new atmosphere in Malay music. The role of musical composers is important in the development and maintenance of Malay Deli's musical heritage. They are responsible for creating new songs, arranging traditional music, and preserving the existing music repertoire. Thus, the role of Deli Malay music composers is crucial in ensuring the continuity and development of traditional music, keeping this cultural heritage alive and relevant amid changing times.References
Ams, Fuad. (1992) Sekapur Sirih dari Rantau Melayu. Medan: Taman Budaya.
Arga Budaya. Pengalaman Pembelajaran Musik Melayu di ISI Padangpanjang. Jurnal Ekspresi Seni, Jurnal Ilmu Pengetahuan dan Karya Seni. ISSN: 1412-1662 vol 14, nomor 2, November 2012, hlm 162-183.
Basyarsyah II, Luckman Sinar. (2018) Adat Budaya Melayu Jati Diri dan Kepribadian, Medan:
Forkala, Prov. Sumatera Utara.
Bramantyo, Triyono. (2004). Disseminasi Musik Barat di Timur. Yogyakarta: Yayasan untuk
Indonesia.
Blagden, C.O., (1899). "The Name Melayu", Journal of the Straits Branch of the Royal Asiatic Society.
Fadlin, (1988). Studi Deskriptif Konstruksi dan Dasar-dasar Pola Ritem Gendang Melayu
Sumatera Timur. Medan: Jurusan Etnomusikologi.
Garraghan, Gilbert J., S.J., (1957). A Guide o Historical Method. New York: Fordam University
Press.
Goldsworthy, David J., (1979). Melayu Music of North Sumatra: Continuities and Changes. Sydney: Monash University.
Gottschalk, Louis. (2015). Mengerti Sejarah. Jakarta: UI Press
Harahap, Sulaiman (2011) Silang Budaya Musik Melayu. Cultural 2
Harjana, S. (1986). Enam Tahun Pekan Komponis Muda Dewan Kesenian Jakarta 1979-1985 sebuah alternatif. Jakarta: Dewan Kesenian Jakarta.
Indrawan, A. (2012). Musik di Dunia Islam Sebuah Penelusuran Historikal Musikologis. Jurnal Kajian Seni Budaya Islam, 1 (1), 38“54.
Isjoni. (2007). Orang Melayu di Zaman Yang Berubah. Yogyakarta: Pustaka Pelajar.
Kautzar, A. (2019). Karakteristik Bentuk Musik Melayu Di Kota Palembang Pada Lagu Melati Karangan. Resital: Jurnal Seni Pertunjukan, 18 (2), 88“94.
Lubis, Z, Pangaduan. (1987). Lily Suheiry dalam Kenangan 1915-1979. Medan: Radio Alnora Medan.
Mc. Neill, Rhoderick, J. (2016). Sejarah Musik. Libri: Jakarta
Namira, N. Yasmin, Hadi Sutrisno, I., & Harahap, H. (2020). Rekonstruksi Ronggeng Melayu Di Sumatera Utara (1992-2016). Jurnal Ilmu-Ilmu Sejarah, Sosial, Budaya Dan Kependidikan, 7 (1), 33“43.
Nasuruddin, Mohd. Ghouse, (1977). Musik Melayu Tradisi. Selangor, Malaysia: Percetakan Dewan Bahasa dan Pustaka.
Nasaruddin, Mohd. Ghouse, (2000). Teater Tradisional Melayu. Kuala Lumpur: Dewan Bahasa Dan Pustaka
Sinar, Tengku Luckman. (1990). Pengantar Etnomusikologi dan Tarian Melayu. Medan: Perwira
Takari Muhammad (2017). Musik Melayu sebagai Perekat keserumpunan Tamadun: Tinjauan Historis dan Struktural
Takari Muhammad, (1998). Ronggeng Melayu Sumatera Utara: Sejarah, Fungsi dan Strukturnya. tesis S-2. Yogyakarta: Universitas Gadjah Mada.
Takari Muhammad dan Heristina Dewi, ( 2008). Budaya Musik dan Tari Melayu Sumatera Utara. Medan: Universitas Sumatera Utara Press.
Pasaribu, Ben. Dkk. (2004). Pluralitas Musik Etnik: Batak-Toba, Mandailing, Melayu, Pakpak Dairi, Angkola, Karo, Simalungun. Medan: Pusat Dokumentasi dan Pengkajian Kebudayaan Batak. Universitas HKBP Nommensen.
Pasaribu, B.M (2005) Kaleidoskopis Komponis Dalam Musik Kontemporer di Indonesia. Jurnal Etnomusikologi, 1(2), 185-189.
Prier, Karl Edmund. (2016). Sejarah Musik Jilid I. Yogyakarta: Pusat Musik Liturgi.
Putra, R. E. (2016). Fungsi Sosial Ansambel Musik Gambus Dalam Kehidupan. Jurnal Seni Desain Dan Budaya, 1 (1), 19“25.
Rahmah (2021). Pengaruh Budaya Asing Terhadap Perkembangan Musik Melayu: Studi Kasus Musik Melayu Deli Kota Medan 1970-2000. Medan: UIN Sumatera Utara.
Takari. M, & Dewi H. (2008) Budaya Musik dan Tari Melayu Sumatera Utara. Medan: Universitas Sumatera Utara Press.
Takonai, S. (1997). The Formation and Development of Dangdut I : Modern Theatre and Orkes Melayu. Southeast Asian Studies: Kyoto University 35 (1) : 136-155.
Takonai, S. (1998). The Formation and Development of Dangdut II : Orkes Melayu dan Musik Melayu. Southeast Asian Studies: Kyoto University 36 (3) : 355-378.
Tan, S.B (1993). Bangsawan, A Social and Stylistic History of Populer Malay Opera. Singapore: Oxford University.
Weintraub, Andrew (2010). Music and Malayness : Orkes Melayu in Indonesia 1950-1965. Paris: Archipel 79: 57-78.
Widyatama, Sila. (2012). Sejarah Musik dan Apresiasi Seni. Jakarta: PT. Balai Pustaka.
Zami, R. (2018). œOrang Melayu Pasti Islam: Analisis Perkembangan Peradaban Melayu. Jurnal
Islamika. Vol. 2. No.1.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Gondang: Jurnal Seni dan Budaya
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
