Vokal Tradisi Batak Toba œAndung
DOI:
https://doi.org/10.24114/gondang.v3i1.13182Keywords:
Poetry, Toba Batak Tradition Vocals, AndungAbstract
In the current era of globalization, learning is often associated with local wisdom. The local cultural base is indeed very important, because national character is formed from cultural roots. Therefore many have raised local culture and wisdom as a basis for learning. Likewise, in the Music Education Study Program, one course is presented, namely Vocal Tradition of the Archipelago, in which there is material in the Toba Batak Tradition Vocal, Andung. Through this course, "Andung" is taught, so that the traditional vowels return and the young generation is able to appreciate them. Based on this background it is necessary to do research on the existence of Andung in the present, with the aim of reintroducing Andung as a vocal of the Toba Batak tradition. This article is a small part of the research on the development of vocal learning media for the "Andung" Toba Batak tradition. Data collection about Andung, carried out by documentation techniques, surveys and interviews. Interviewees consisted of three people, two pangandung people, one cultural observer. The data obtained are andung mabalu, andung matean ina, andung tilahaon.References
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Lumbantobing, A. (2004). Andung Ni Namabalu: Nyanyian ratap kematian masyarakat Batak Toba di Balige, Toba Samosir Sumatera Utara dalam kajian konteks dan teks. Tesis. Yogyakarta: Program Pascasarjana Universitas Gadja Mada
Lumbantoruan, N. Andung Nyanyian Sendu Tradisi Lama Batak Toba. dalam: Ben M.Pasaribu (Ed). (2004). Pluralitas Musik Etnik. Medan: Pusat Dokumentasi dan Pengkajian kebudayaan batak Universitas HKBP Nommensen
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Sukmadinata, N.S. (2012). Metode Penelitian Pendidikan. Bandung: PT Remaja Rosdakarya Offset
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